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When you high pass everything, as described, you only have to focus on two things in the low end mix the bass of the kick drum and the separate sub bass that was just created. The entirety of the low end contains the most powerful, loudest, and destructive elements of a mix. Saturation is effective at adding the harmonic profile of the sound wave. For example, you can distort a sound from the first harmonics in the solo or play an octave in the sub. You can use the sub as a sound wave or use other kinds of waveforms to develop the sub bass. Using the Master EQ, you can see that being with the sub (together at the low end), despite all the crazy movement with the highs and mids, the low end remains static.
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Then, layer in a separate sound wave with the original sound wave. Start by focusing on the main sound and remove the low end by high-passing the sound wave. Sub bass separation is important to the mixing and mastering process you want to squeeze every last inch of effect into the sound waves. We want the sub bass to look like a regular solid sound wave. When the sub bass is not consistent or solid (wobbling all over the place), you want to look at what the sound wave looks like by itself. Sub bass is the fundamental tone of the bass or the lowest single harmonic. Sub bass separation is a common core, basic idea about music production that is important.